The use of color in a composition can be very direct and focused on pulling an audience's eye exactly where you want them to focus. (316)
Wednesday, December 17, 2014
Coming into Color
The use of color in a composition can be very direct and focused on pulling an audience's eye exactly where you want them to focus. (316)
Red all over
The photographer is unknown
Black and White
Freaking Schindler's list; this movie was so great and so terrible. The book talks about the composition and use of the black and white. The black and white to show the blending of the period, how things seemed dismal and little to no hope in people. However, the director uses the contrast to show to light and dark of the situation; how compassion and cruelty lives in the same place. As well as the girl in the red coat, which is innocence blood being shed. The eye focuses on the girl and remembers the color to link later on in the movie when the coat is on a corpse.
Sky and Ground: Nick Marci
This is from an amateur artist named Nick Marci; I saw him on pintrist and was interested in some of his work. I love the space and sky in this piece; it blends together to make it seem endless and like you are outside of your own time frame. Although this isnt my favorite piece ever, I do like the matchings of the sky and ground. I could do without the heads though.
Aspects of time
So this was in the reading (292) a while ago but I wanted to check out the video myself for the full affect. I dont know if its made to look like WWII concentration camp style or drones in a way, but it creeped me out. How they are walking in unison without a mind.
Its hard to think of the rhetoric in this video; how the world is like lemmings and will follow blindly until someone bold can come in a smash peoples perspectives to free them from themselves. But thats exactly what this is right? The lady athlete comes in and breaks away from the crowd in order to save others; then its a commercial for how to be different when you purchase a mac (ironically as I type on a macbook 20 years later).
When you look at art, though, you are looking at rhetoric. The way it makes you think and why it was reacted that way. With the time, its looks like its suppose to be future like and how the present can pull you back.
Tuesday, November 4, 2014
Josh Wool: True Self
Josh Wool, originally from the South but currently works out of Brooklyn, NYC, is an up and coming documentary photographer. His work has been featured in medias such as Visual Supply Co, Rolling Stone Magazine, GQ, Food & Wine Magazine, Billy Reid, Newport Folk Festival, JC Penny, JJ Hat Center + Pork Pie Hatters, Grey Ant Sunglasses, The Daily Beast, Juxtapoz Magazine, Huge Magazine - Japan, FutureClaw Magazine, Refueled Magazine, Gotham Magazine, and Tourist Zine.
His work is honest without manipulating the scene; he captures the subjects essence rather than relying on just the subject itself.
Thursday, October 30, 2014
Erika Larsen: The Native
Erika Larsen
Larsen specializes in Native American; her photography
reflects the natural elements the Native Americans are still attached too. One
of her main focuses are on Native Americans that are connected with the horses;
the interesting connection between the modern day tack and native American
traditional wear connects to the culture of the Native American traditions
living in a modern day society and the mix, border thinking.
Kitra Cahana: The World Captured
Kitra Cahana
Multicultural Kitrag grew up in Canada and Sweden produces
photography that is both spiritually and focuses on the body. Kitra emerges
herself within the community she documents, which includes a Venezuelan cult,
homeless teenagers, Israeli households, and poverty levels in suburbs of Houston.
Its an important part of understanding your subjects; to
submerge yourself within the area and truly represent. This is especially
important in documentary. Although most of the time there is bias plays in many
documentaries, its better, in my opinion, to let the audience do what they want
with the facts.
Mike Brodie AKA Polariod Kid

Mike Brodie
Originally from Arizona, Brodie never received formal
training in photography but simply was given a Polaroid camera in 2004 and
started recorded. Brodie’s work reflects the rawness of an uncut photographer.
The photographs are mostly of this band of teenagers who ride trains around
America. Its this gypsy clan that travels and survive together; the modern day
nomads.
As quickly as Brodie came into the scene, he left after
publishing a book of his findings. One of the many mysterious things about this
game changer photographer.
Thursday, October 23, 2014
Propaganda project
I liked this project; I thought it seemed realistic to something I would like to do pertaining to a career or some sort. Being a Rhetoric major, I love finding different meanings behind almost any media. In this project I was able to use Ethos and Pathos; appealing to the audience's emotions and hopefully adding credibility with the national hotline.
I work at the Red Lion Hotel in Pasco; apparently the biggest area for human trafficking. It's crazy to think even in this small town that things like that happen, but its true. I think people are unaware of the existence and therefore no not look for the signs. However, if you are aware, sometimes the public eye can be the most effective activists against public issues like this.
Tuesday, October 21, 2014
Heather Hansen: Movement
Heather Hansen, a native of New Orleans, incorporates the movement of yoga with charcoal art. Heather takes a large piece of white paper and several pieces of charcoal and records the body's movement through the poses. The pictures turn into mostly circles, which is interesting considering it reflects the movement of the body.
This is wonderful because it is as much performance art as the end result. When she takes to the beach and uses the scene with sand to construct basically the same idea. The movement of the body comes together makes a wonderful connection to the piece and the reflection of the body.
Thursday, October 9, 2014
Abstract Triptych- I Hate Boxes
I Hate Boxes
Well, first off I didn't want this piece to a transitional abstract piece; I wanted to approach it with an edge and difference. For one thing, I hate boxes. I hate putting things in it, I hate being put into them as a student or writer or person; So I wanted the lines to not really make sense and have to look for the definition of each box. There are three boxes with each of the symbols in them.I used Wingdings also, so the font isn't even the typical letters but rather symbols. I used my initials in this and represented them or me as a symbol rather than a name or letters. I loved working in the shades rather than color because it gives a feel of balance rather than a typical emotion, which color can sometimes pull out.
I started with triangles partly because of the symbol Wingdings gave me and partly because I wanted the shapes to go somewhere. They ended up moving from these understood shapes and move into more abstract; its like entering the abstraction from something that we are comfortable with.
Tuesday, September 30, 2014
Tomas Saraceno: Worlds
Namless: Different in Public
So I was scrolling through Fb the other day and came across this; sometimes the best artistic things you can find is just in very day life. I love street performers and saw someone had posted this video of this guy (I don't know the artist's name; it didn't say) in Japan. These two people move like one under this dark cape and look like a 4 legged creature. Its eerie and alittle bit disturbing to watch him move around the square with four legs. At one point during the performance he kinda gets in the face of a person watching. I'm wondering if it has to do with people walking around feeling abnormal in a normal setting. Like when you feel so out of place and you will never fit in with your surroundings.
Tim Noble and Sue Webster: Trashy work
Straight from the London Punk scene of the 1980s-1990s, Tim Noble and Sue Webster combine talent to create art from a pile of trash. I first came across these artists a few years ago and stumbled across them again as they continue to sculpt every day items into pieces of art. Most of their famous works are from shadow art; using trash to create a sculpture. When you shine a light on the garbage, you get an image on the wall behind it. I love seeing the nothingness of the trash pile; its merely just a mess you have to clean up. But when the right light and angle is taken from it it turns into something different.
Thursday, September 25, 2014
Photomontage
So idea for the photomontage is to have a core picture and build on top of it using different photos from different times; either seconds or years. I like the idea of this cause it allows for you to explore not a linear sense of time, but time according to the creator. You see, we love time to stay in a straight line and go from left to right; otherwise we get all mixed up. However, in the mix up is where someone can take you outside from a linear line and go somewhere more open; freeing.
This was my interpenetration of the photomontage; its of Central America's largest lake, Cocibolca and the volcanoes, Ometepe and Madera that sit across the lake. I visited this exact spot for over three years, which is where the photo collection comes from. All the photos were captured in the early morning so I wanted to color palette to stay soft and dream like; sort a like waking up and still being groggy.
This was my interpenetration of the photomontage; its of Central America's largest lake, Cocibolca and the volcanoes, Ometepe and Madera that sit across the lake. I visited this exact spot for over three years, which is where the photo collection comes from. All the photos were captured in the early morning so I wanted to color palette to stay soft and dream like; sort a like waking up and still being groggy.
Tuesday, September 23, 2014
Jeff Gougue: Modern Artist
Art Surgeon: Unconventional
Tuesday, September 16, 2014
Marina Abramovic: Performance
The second is called Rhythm O, which is Marina presented objects to an audience and became completely passive. The audience was first timid but became violent after there was no resistance.This could be perhaps one of the most powerful human experiment in testing the nature of man.
Friday, September 12, 2014
Paulo Ito: Shouting Graffiti
Paulo Ito: graffiti artist in Sao Paulo, Brazil that speaks about the injustices in the FIFA world cup through his art. Graffiti art being seen as still 'taboo', it interesting it can have the most impact because the world can see it; you don't hide it in a gallery or sell it. And yet, compared to other artist who want to change the world, it seems Ito's work is saying it loud and clear when others are muffled.
Diana Thater: Rethink
Diana Thater talking about the artist and what her objects are as an artist. Working with light, animals, and space, Thater looks through different lenses to bring an experience to her art. Empowering observation to rethink the world around you.
Thursday, September 11, 2014
Belo: Colored Rain
In 2013 a mosaic was constructed by the artist Belo of a fetus to raise awareness of the global clean water crisis. The piece is made of 66,000 biodegradable cups filled with colored rainwater. The fetus represents every humans need for water, even before birth. The project took 15,000 liters of colored rainwater, 1 kg of vegetable dye, more than 100 volunteers, 62 hours of work, placed end to end the 66,000 cups would measure 5.2 km long.
Tuesday, September 9, 2014
Self Portrait
Traveling has become a large part of life; my parents are travelers, my siblings are travelers. Its a chisel in which has shaped my personality and future desires. My first trip abroad, a stranger leaned over the middle airplane seat and said 'it's hardly the place that we travel to, but the people we meet. Don't forget to know people along the way'.
This has become a priority of mine, and that stranger placed me on a course which has effected my travels and growing up. My self portrait represents the idea of the stranger; the place is only as good as the people you know in it. I am a small detail within my self portrait because I wanted to focus on the people that have influenced my life along the way. Although I am the skeleton which makes me me, the people I have met around the world has made the outer layers and opinions.
There is no negative space because the existence and traveling is all in layers; there is no negative time in which nothing is happening.
This has become a priority of mine, and that stranger placed me on a course which has effected my travels and growing up. My self portrait represents the idea of the stranger; the place is only as good as the people you know in it. I am a small detail within my self portrait because I wanted to focus on the people that have influenced my life along the way. Although I am the skeleton which makes me me, the people I have met around the world has made the outer layers and opinions.
There is no negative space because the existence and traveling is all in layers; there is no negative time in which nothing is happening.
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